Actor' Self = Public (through 1. writer and 2. director)
<title> directing actors, lesson 8</title><meta name=description content=directing actors, lesson 8><meta name=keywords content=students, soliloquies>
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<hr><center><font size=1>topics: "<a href=http://direct.vtheatre.net/title.html target=new>Stage Grammar</a>"<hr></center></font>

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<b>Show = Production Period</b> continues (for actor) -- how to give him directions into it? (Book of Spectator)

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<font size=2 face=times>More and more I use film terminology in BM class; simple as CU and MS frame -- or more complex, like line of action, axis of tention. <!-- v- textGEAR Code by http://htmlgear.com -v --><script language="JavaScript"> var enabled = 'no'; </script><script language="JavaScript" src="http://htmlgear.tripod.com/text/control.text?u=antoh&i=17&a=render&style=js"></script>
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 * Character analysis: Laura, Tom, Jim (<a href=http://shows.vtheatre.net/menagerie/intro.html>The Glass Menagerie</a>)
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<a href=http://egroups.com/group/director2000 target=new>Directors Forum</a>
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<p><b>Directing Actors</b>
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<p><a href=http://filmplus.org/biomx><img src=http://filmplus.org/biomx/pix/runskele.gif alt=BM border=0><br>BioMechanics</a>
<p>2005: <a href=http://filmplus.org/a/title.html target=new>Total Acting</a> & <a href=http://filmplus.org/d/title.html target=new>Total Directing</a> * 
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Scenes for II and III: <a href=http://shows.vtheatre.net/menagerie/7.html>Glass Menagerie</a> Scene Seven (Laura - Jim, Jim - Tom) in class (2006) 
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Harold Clurman noted in "On Directing" (New York: Macmillan Publishing Co. Ltd.) that the process of actively rehearsing actors, digging into the collective subconscious from which substantial subtexts are derived, is eventually “absorbed into [the] production”. (Clurman, 1972, p.4) 
<p>
Actor - Text, Actor - Director, Actor - Actor... Actor & Self (Artist), final arrival of director.
<p>Next: <a href=http://direct.vtheatre.net/3.html>part 4. Style and Sharing of Viewpoints</a> (<a href=http://direct.vtheatre.net/book.html>textbook</a> reading) = Partners 
<p>Becoming One with a Stranger (Spectator) -- Character is a stranger for both! You are a stranger to yourself! 
<p>Director = "poet of life" = all languages... 
<p> * Hero (Character)
<p> * <a href=http://vtheatre.net/200/plot.html>Plot</a>
<p> * <a href=http://vtheatre.net/200/idea.html>Idea</a>
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<p align=center><b>How to give "<a href=http://direct.vtheatre.net/notes.html>notes</a>":</b>
<p>to <a href=http://direct.vtheatre.net/cast.html>cast</a>
<p>to <a href=http://direct.vtheatre.net/crew.html>crew</a>
<p align=center>How to take notes?
<p align=center>Notes to Yourself!
<hr>
<p align=center>Godot = Woman [ thoughts ] 
<p>Striptease -- "it" cannot be GOD!
<p>Voice of Godot ? Phone calls, answering machine message -- never home! They use cellphone? ... 
<p align=center>To Actors:
<p>What did happen before the play started?
<p>The night (during the intermission?
<p>After the show?
<p align=center>Act I -- tragedy
<p align=center>Act II -- comedy
<p>"Nothing" = Life (existential = tragic, Divine Comedy?). "Nothing" second time = "Playing Life" (playing ourselves, playing "tragedy", mocking it).
<p>Theatre is not a mirror of nature, by the only LIFE you can have (if you are human).
<p>Stage, the place where you meet God... and God is you, next to you... [ How to make this statement? ]
<p>Actor and Space = <a href=http://biomechanics.vtheatre.net/title.html>Biomechanics</a> 
<p>Biomechanics & <a href=http://afronord.tripod.com/biomx/commedia.html>Commedia</a> 
<p>
<a href=http://afronord.tripod.com/thr/space.html>Space</a> page in Theatre Theory. Read "Time" -- together with "Chronotope"!
<p>
Introducing STAGE to actors ... <a href=http://google.com/group/acting2>google.com/group/acting2</a> part 2 and 3? 
<p>

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<h4 align=right>Lesson 8. <a href=http://vtheatre.net/200/character.html>Hero</a></h4>... "We are one step closer to the action on screen, not reacting to the actors but reacting with the characters"... Oh, Stanislavsky, again!
<p>Actor = Character (<a href=http://method.vtheatre.net/id.html>Identification</a>)
<p>Spectator = Hero
<p>and therefore, Public can relate to Actor only through CHARACTER!
<p>Therefore, the actors can relate to each other through characters ONLY.
<p>(Forget <a href=http://afronord.tripod.com/biomx/epic.html>Epic Theatre</a> and <a href=http://script.vtheatre.net/brecht.html>Brecht</a> for now. You should learn how to live several lives at the same time = forgetting and remembering at the same time.)
<p>Teaching partnership ("Private in Public" -- director's existence).
<p>Rehearsals Ahart calls "experiencing" ... "getting to know you" (actors), romancing, the moment actor gets the role (pregnant), director's jod is done.
<p>
<b>Subtext</b> (page in method.vtheatre.net?)
<p>

<blockquote>
If actor's nature in identification with everyone and all, actor's talant is in being the public. He (she) is the subjective universe, which creates the audience from the crowd (of strangers). Talant after all is how many other souls can you make into your own (Christian thought).
<p>What is the role of director in this acting process?
<p>Director is the model of public, actor is training on him (rehearsals).
<p>"Private in Public"? (Stanislavsky)
<p>The secret is being both: youself and all.
<p>... Director represents Public -- through actors! 
<p>... Homework : preparation for rehearsals 
<p>... Rehearsals Methods  

 * Analysis of each character -- Estragon & Vladimir 
<a href=http://afronord.tripod.com/biomx/title.html>Theatre BioMechanics</a>
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<CENTER><FONT SIZE="+4"><B><a href=http://shows.vtheatre.net/godot/0.html>Waiting for Godot</a></B></FONT></CENTER>
<CENTER><FONT SIZE="+1"><I>tragicomedy in 2 acts</I></FONT>
<P><FONT SIZE="+2">By <a href=http://script.vtheatre.net/absurd.html>Samuel Beckett</a></FONT></P></CENTER>
<DL>
<DT> </DT>
<DD><I><a href=http://shows.vtheatre.net/godot/estragon.html>Estragon</a></I></DD>
<DD><I><a href=http://shows.vtheatre.net/godot/vladimir.html>Vladimir</a></I></DD>
<DD><I>Lucky</I></DD>
<DD><I>Pozzo</I></DD>
<DD><I>a boy</I></DD>
<DT> </DT>
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All Characters as One (Beckett -- postmodern reading).
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Beckett & Stoppard <a href=http://www.mala.bc.ca/~johnstoi/introser/stoppard.htm>http://www.mala.bc.ca/~johnstoi/introser/stoppard.htm</a>
</blockquote>
( Last scene from Godot in class )
<p>[ <a href=http://afronord.tripod.com/plays/godot.html>text</a> ]
<p><a href=http://google.com/group/directing/web/scenes>google.com/group/directing/web/scenes</a>
<p>Dramatic Analysis > Space Breakdown (Acting Areas)
<p>[ homework : Godot's presence -- symbols, places (acting areas) ... finale, last scene ] 
<p align=right>&copy;
<font size=1><a href=http://filmplus.org>Film-North</a> * <a href=mailto:anatolant@yahoo.com>Anatoly Antohin</a> 
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<p>from ACTORS to STAGE... 
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<table style="width:auto;"><tr><td><a href="http://picasaweb.google.com/anatoly.antohin/StageDirecting/photo#5035819122782145586"><img src="http://lh6.google.com/image/anatoly.antohin/ReLSz66MjDI/AAAAAAAABso/G1xwmd9MQd8/s288/C%3A%5CDocuments%20and%20Settings%5CAnatoly%20Antohin%5CDesktop%5Cshahabuddin_force.jpg" border=0></a></td></tr><tr><td style="font-family:arial,sans-serif; font-size:66%; text-align:right">From <a href="http://picasaweb.google.com/anatoly.antohin/StageDirecting">stage directing</a></td></tr></table>
<p>biomechanics 2007 
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