* new: dramaturgy in filmplus.org/plays : ... new class? THR413?
... 2007 THR215 Dramatic Literature [ special tag "dramaturgy" ]. ... 2008
[ 1 ] part 1 script lessons 1-4 picasa albums : plays + playwrights [ images ]
[ sample ]
Showcases :
RG.08 Master File :
"theatre w/anatoly" Stoppard's webpages:
• theatre theory -- filplus.org/thr/stopprad
To make "Director's Notebook" with Lulu?
• play
... appendix
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... Dramaturg for Lul [jobs] anatoly.vtheatre.net/dramaturg Shakespeare or/and Chekhov Plus, Aristotle... 2009 :
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1. part one: script
* dramaturg page at script.vtheatre.net (main)
Theatre UAF: the Individual Study Course THR F497 200603
Specific activities or methods the student will use to meet those objectives Sources of necessary information Evaluation methods that will be used to determine to what extent the objectives were met Dramaturgy THAR 489 (sample) D links Director is a first dramaturg! * DRAMATURG @ Theatre Theory pages * playwrighting.net
Playwrighting: This course is designed to familiarize students with the dramatic art, examining plot, characterization, theatricality, and other elements of the playwright’s craft. The course functions as a playwriting workshop as students present exercises in class to be discussed by their peers. Utilizing techniques learned, students will begin work on a one-act play. [ theatre4.googlepages.com ] Athol Fugard * Island Twentieth-Century Theatre: A Sourcebook by Richard Drain; Routledge, 1995 - Part I: The Modernist Dimension - Introduction - 1: Alfred Jarry - 2: Adolphe Appia - 3: Gordon Craig - 4: F.T.Marinetti, E.Settimelli and B.Corra - 5: Enrico Prampolini - 6: Tristan Tzara - 7: Guillaume Apollinaire - 8: Walter Hasenclever - 9: Valeska Gert - 10: Stanislas Ignacy Witkiewicz - 11: Ivan Goll - 12: El Lissitzky - 13: Sergei Radlov - Notes - 14: Oskar Schlemmer - 15: Daniil Kharms - 16: Gertrude Stein - 17: Eugene Ionesco - Note - 18: Allan Kaprow - 19: Robert Wilson - 20: Tadeusz Kantor - 21: Richard Foreman - Part II: The Political Dimension - Introduction - 22: Bernard Shaw - 23: Sergei Eisenstein - Notes - 24: Ernst Toller - 25: Vsevolod Meyerhold - 26: Erwin Piscator - 27: Workers’ Theatre Movement - 28: Bertolt Brecht - 29: Athol Fugard - 30: Ariane Mnouchkine - 31: Judy Chicago - 32: HÉlÈne Cixous - 33: Carolee Schneemann - 34: Suzanne Lacy and Leslie Labowitz - 35: Edward Bond - 36: Charles Ludlam - Part III: The Popular Dimension - Introduction - 37: Gordon Craig - 38: Vesta Tilley - 39: Vsevolod Meyerhold - 40: W.B.Yeats - 41: F.T.Marinetti - 42: Vladimir Mayakovsky - 43: Grigori Kozintsev - 44: Blue Blouse - 45: Vsevolod Meyerhold - 46: Karl Valentin - 47: Bertolt Brecht - Notes - 48: Jean Vilar - 49: Armand Gatti - 50: Peter Schumann - 51: Dorothy Heathcote - 52: Dario Fo - 53: John Mcgrath - 54: Armand Gatti - 55: John Fox - 56: Kwesi Owusu - Part IV: The Inner Dimension - Introduction - 57: August Strindberg - 58: Adolphe Appia - 59: Gordon Craig - 60: Vsevolod Meyerhold - 61: LoÏe Fuller - 62: Isadora Duncan - 63: Wassily Kandinsky - 64: Constantin Stanislavski - 65: Paul Kornfeld - 66: Evgeny Vakhtangov - 67: Federico GarcÍa Lorca - 68: Antonin Artaud - Notes - 69: Judith Malina - 70: Jerzy Grotowski - 71: Louise Steinman - 72: Rachel Rosenthal - Part V: The Global Dimension - Introduction - 73: Antonin Artaud - 74: Bertolt Brecht - Note - 75: Enrique Buenaventura - 76: Errol Hill - 77: Luis Valdez - 78: Peter Brook - 79: Wole Soyinka - 80: Ntozake Shange - 81: Honor Ford-Smith - 82: Augusto Boal - 83: HÉlÈne Cixous - 84: Eugenio Barba Miss Julie student paper (Dianna Williams) - ref. to 2007 showcase [ ... ]
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Caligari case-study : process @ groups.google.com/group/playwright [wiki]
Research vs. Creative
Safe distance from STAGE [Book of Spectator]
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What director needs to know about dramaturgy?* concept and interpretation (your vision) to cast and crew
* images/symbols/sign [ visualization ]
* connecting play with public [ actual/polemic/moral reading ]
* ... R/G'08 files
Fall 2006 Independent Study: Oleanna by Mamet
Goals/Objectives (working with texts, director, actors, designers)
Grading
Sources (links, database, references, articles and etc.)
Methods (Research)
Bibliography [ I make biblio page is every directory now ].
Directors, before (during and after) you come with YOUR concept, study what is in there, in the script!
... Oleanna master-file in THR UAF office (hard copy)
... see groups.yahoo.com/group/vtheatre Mamet 2006 UAF production list * Stoppard 2008
1 - Part 1 - Script
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... DRAMATURGY in PLAYS directory + anatoly.vtheatre.net/dramaturgy
"Oleanna and Cultural Conflict [ Mamet ]
I open this essay with an admission: I have never been a fan of Oleanna. When I first heard about the play in early 1992, I was apprehensive. Given the problematic attitudes toward women in plays such as Sexual Perversity in Chicago, American Buffalo, and Speed-the-Plow--and the strident masculine poses of both the playwright and his dramatic characters--David Mamet seemed an odd figure to address a topic as politically and ideologically complex as sexual harassment. Would Oleanna replicate the male vantage points of Mamet's work as a whole? There were warnings that it might. Longtime Mamet actor and close friend W. H. Macy, who originated the role of John, commented on the role in a Theater Week interview: "I think he's a fella who's gotten bollixed up in a world where the rules are changing and he doesn't know how to keep up. And boy, can I identify with that. I don't know what's going on with women." Macy, who had been reading Robert Bly's Iron John and other books from the men's movement, suggested: "Men are going to have to go through some sort of a revolution the way that women did in the 1960s and 1970s. We have got to define ourselves and we have got to stand up for ourselves" (Simpson 21). ... "
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WRIGHT !!!
[ back to part I ]
... sellassie.info : listing [job seach for LUL -- Fall 2009]
http://members.tripod.com/afronord/d/test331.html 1st
Stoppard: R/G are Dead my director' scrapbooks for 2008 Theatre UAF show.
... http://afronord.tripod.com/classes/thesis.html [Directing Thesis]
![]() ![]() Bilingual, at least [ Amharic/English ] * EDU program * Children theatre * Publicist, as well [for now] Playwrighting Annual Festival Committee Script supervising [ classical and original scripts ] Working with Artistic Director, Managing Director, Board 3-year plan Film program committee (?) Serve as publicity director [at first] -- paid position starting when? ...
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